Passage [New] (25 line poem)

There is a worrisome hole in the fence —
The cold wall that protects me
And keeps others at a safe distance
Providing me with much-needed comfort, protection

I am not fully certain how the hole came to be
Some hidden insecurity; some subtle vulnerability
Some forgotten place, long neglected

Keeping the fence whole is an arduous task

When such unforgivable holes appear
I work quickly to mend them
But they are like purposeful trails in the forest
Well worn by constant use

Even if I succeed, and patch the hole
Another will quickly spring up nearby
Dutifully serving the same purpose

Further, while my back is turned in effort, resolute, focused
Another, and another
Small at first – flaws barely seen
Unnoticed
But relentlessly growing over time

And at that first tragic breech
Once an untried hole allows its first reckless passage
Word spreads
And the brutal pressures from outside
Find their way in

Poetic Poetry

When I look at my serious poetry (and yes, there are a few in the mix, especially under New Poems) I find that my wording is sometimes a bit too simplistic when compared to other poems I find online. My subjects are good, the depth of the ideas, the emotion (hopefully) evoked — all ok — but all these could be amplified if I better used the words themselves as another member of ‘the team’. A memorable poem is quotable and, for a poem to be quotable, the wording needs to stick in your head — through unexpected or powerful word choices and combinations. In short, I need to make my poems more… poetic. I will try to evolve things in this direction, but don’t expect an immediate change overnight.

Jillian Story Opener [New] (unfinished story)

These are my planned opening lines for my Alice-like story — more here.


Jillian was never really sure how it happened, but when she awoke on Wednesday, she wasn’t in her bed anymore.  She wasn’t even in her house. In fact, she was pretty sure she wasn’t even in the same world in which she fell asleep on Tuesday night.

The first clue was xxx
The second clue was yyy
But the biggest clue of all was zzz

Solving the Riddle [New] (unfinished story)

Below is a passage from the story that I’m writing that will be similar to Alice in Wonderland — more here. Note that this post is my 100th. Pretty exciting milestone.


Bound to protect
Ordered for a purpose
Giving more and more
Until the very end

Jillian considered the riddle as her eyes glanced around the room, taking in the details.  Objects of every shape and size littered the desk and shelves. Paintings and other artwork covered the walls.   The floor had piles upon piles of boxes and debris, some toppled over, which made it difficult to navigate the room.

Jillian had never seen a room filled with such a wild variety of…of things packed so closely together. Any of which could hold the answer to the riddle!  Jillian’s heart grew heavy as she imagined the giant task of examining every object in the room to find the answer.

Jillian recited the riddle to herself.  ‘Bound to protect’, ‘Ordered for a purpose‘. It sounded like the description of a knight who vows his protection and his life, and receives orders to protect the kingdom ‘until the very end’. That could be it!  She began searching the room for anything related to knights — a suit of armor, a painting depicting a battle, anything…but after more than an hour of searching — under things, behind things, seemingly everywhere — she could find nothing related to knights or battles.

The hopelessness of the situation overwhelmed Jillian, and she felt tears in her eyes as she sank to a rare open spot on the floor. Her hand came to rest on a nearby stack of books — her fingers casually tracing the cover of the top book.  She looked down, realizing that she hadn’t noticed these books before.  The riddle replayed in her mind: bound, ordered, giving more and more until the end…  The answer had to be — a book!  A book fit all the clues.  But which book?

Jillian started looking through the stack.  As she moved from book to book, her initial excitement turned quickly to dismay.  There were dozens and dozens of books — thick and thin, big and small — pages upon pages, many in languages, even alphabets, she didn’t recognize.  How long would it take her to study each page in each book and find what she needed to escape this room? Days? Weeks?  She felt the hopelessness returning as she neared the bottom of the stack of books — and then she stopped.  In her hands was a vaguely familiar book — a favorite picture book from her early childhood — about a princess searching for treasure within her father’s castle, exploring room after room, only to realize the best treasure wasn’t gold or jewels, but was instead the everyday memories and keepsakes of a happy life and loving family.

Jillian smiled as she opened the book and started flipping through the pages, momentarily forgetting the seriousness of her situation.  Then she stopped and realized — this must be the book she was meant to find!  Her heart beat faster as she turned the pages, searching each for some clue about how to escape the room.  She grew more worried as she neared the end of the book, wanting both to hurry and find what she was meant to find, and to go slowly so as not to miss it.

As Jillian reached the last couple of pages, she slowed, fearful that she might reach the end of the book and not find what she was looking for. Finally, she held the last page in her hand, dreading to turn it over to see the final picture — fearing it might not give her the answer she sought.  She closed her eyes, flipped the page, opened them, and saw…herself.  On the last page was a drawing of a girl that looked just like Jillian did now, even wearing the same dress and shoes, sitting in a cluttered room exactly like the one she was now in. She stared at it in disbelief, and then looked up and glanced around the room, half expecting to see the book’s illustrator standing there, drawing pad in hand, recording the moment.  She looked back to the page, trying to make sense of the fact that she seemed to be living a moment that was recorded in a book written years ago.

Jillian shook her head. It made no sense, but then neither did many of the events of the past few days. She took a breath, accepted the situation, and began to study the illustration to discover what she was meant to find.

It quickly became clear which detail in the image was most relevant to Jillian’s need to exit the room.  Beyond the surprisingly accurate depiction of the room and its clutter, the one item shown that she hadn’t yet found in her search of the room was a dim but noticeable glow originating from low under the desk.  Further, the light in the illustration had straight, sharp edges as if it were shining from behind something with a clear geometric outline, like a box or a piece of furniture.  She got up and moved to the desk, keeping an eye on the illustration in the book, half expecting the girl in the picture to move with her — but of course the girl didn’t.

Jillian bent down to look under the desk and was disappointed to see no glow.  In fact, the space under the desk was uncharacteristically uncluttered, with only a few small items on the floor.  She examined each object: a pen, a cup, a small lidless box, inspecting each from all sides, listening, shaking, looking for something unusual, but each seemed completely mundane with no suggestion of being about to do anything unusual such as start to glow.  She grouped them nearby, just in case, and looked again at the now-empty space beneath the desk.  She ran her hands over the floor and discovered a rectangular section, different in material than the rest, with a wide groove around its edge. Could it be some kind of door?  She rapped upon it with her knuckles, pushed down on the section, and even squeezed her fingertips into the groove at its edge searching for enough grip to lift the panel, but the section remained in place.

Jillian Riddle [New] (4 line poem)

Below is a recent riddle intended for my story similar to Alice in Wonderland — more here. The main character’s name is Jillian. In a minute I’ll post a passage or two from the story, including the account of Jillian trying to solve this riddle.

Feel free to guess the answer and submit as a comment.


Bound to protect
Ordered for a purpose
Giving more and more
Until the very end

Provocation [Classic] (550 word story)

Another silly old story. Classic ‘Tom’ formula (plot twist + death). More old stories here.


The klimmer rolled itself into a ball as the dog approached. The dog sniffed cautiously at the creature, not knowing what to make of it. After a few nudges and a bit of pawing, the klimmer decided to put up with no more and attacked.

Two powerful tentacles lashed out and wrapped around the dog’s head. Tiny teeth along the tentacles sank into the flesh, further supplementing the vice-like grip, making it impossible for the dog to shake the creature free. The dog yelped and whipped its head about in panic as the klimmer began secreting digesting juices, instantly blinding the dog and rapidly dissolving away hair and skin. The dog’s struggles ended abruptly as the juices ate through its skull and into its brain.

The gathered scientists applauded in appreciation. The klimmer began consuming the carcass by enveloping it with its elastic body, much as a snake engulfs its prey, digesting the flesh and bones along the way. It progressed rapidly, and was already past the shoulders and at work on the rib cage.

“Notice, gentlemen,” began Dr. Mumford, the proud ‘father’ of this demonstration, “that the klimmer will not attack unless provoked but, as victor, it does not stop until it has devoured its opponent completely. The clear liquid you see on the floor is almost pure H2O discarded by the klimmer as it focuses on absorbing the more-valuable solids. After consuming this 25 kilogram dog, this 8 kilogram klimmer will nearly double in mass.”

The klimmer had already finished with the dog, and then once again became as motionless as the rock it resembled. Dr. Mumford stepped into the arena in which the demonstration had taken place, careful not to slip on the liquid. “After a kill of sufficient mass such as this one,” he continued, “the klimmer retires into a period of dormancy during which it prepares for reproduction. The unusually fast metabolism of the kilmmer – its inner body temperature has been measured at nearly two hundred degrees celsius – allows it to undergo its high-level mitosis within a few minutes of a sufficiently-large meal. This high temperature also aids in the manufacture and lethalness of its digestive juices.”

Dr. Mumford reached down and picked up the klimmer with some difficulty, as it was deceptively heavy for its size. “During the reproductive phase, the organism will divide into eight to ten parts – each a functioning klimmer in itself capable of devouring the dog that the parent devoured. This should happen any moment now.”

Dr. Mumford set the klimmer down on the floor outside the arena and, a few moments later, the creature seemed to dissolve into many little pieces – each then recognizable as a fully-formed klimmer. He had just enough to hand out to the eager scientists.

“It seems that, at close range, the offspring can communicate telepathically – or perhaps have some sort of shared hive mind. Often, their actions seem synchronized, as nearby klimmers react to a stimulus applied to one individual.”

Dr. Mumford smiled in satisfaction at how well his demonstration had proceeded. “I’m sure each of your respective zoos will be quite pleased with this new addition.”

The scientists examined their klimmers. After a few nudges and a bit of pawing, the klimmers decided to put up with no more and attacked…

Riddle C [Classic] (4 line poem)

A third riddle written with help from my brother Rick. Feel free to enter your answers as comments.


Riddle C
Having it you may proceed
Its lack, your progress will impede
Its purpose is unique
It is unique on purpose

Riddle B [Classic] (4 line poem)

A second riddle written with help from my brother Rick. Feel free to enter your answers as comments.


Riddle B
Washed by water untold year
Heat, then melted crystal clear
Youths make towers to appear
Quick — emboldens deadly fears

Vic [Classic] (unfinished story)

Hey! I found a big chunk of the Vic story, which I was writing during college. It’s enough to give you a flavor of what it’s about (this might be all that I’ve actually written). The concept of the Vic story is — a janitor at a college imagines that he’s sort of mythical, like a knight.

This passage contains slightly expanded versions of the two Vic memories that I previously posted.

It’s interesting because the paper on which it is printed is old tractor-feed paper with the tear-off perforated edges along the sides. Those of you who are my age will know what I mean.

One interesting Vic note — I started writing this a couple of years before the Calvin and Hobbes comic strip gained wide exposure. Once everyone was reading Calvin’s imaginary adventures, I was worried that they would see the Vic story as a knockoff — so I shelved Vic — until now.


It is late at night, in the twilight time between when the last of the night people retire and the first of the morning people awaken. The stars twinkle coldly with a chill that foreshadows the coming winter. On the streets of the college campus there is no movement, no sound. Everything seems frozen in time. All the school buildings are dark, save one. A lone figure can be seen darting down deserted hallways, ducking in and out of doorways, pausing occasionally to listen, then hurrying on. The jangle of a large ring of keys at his belt contradict the figure’s imagined stealth…

Still running, Vic dives into the classroom and rolls, ending up behind the teacher’s desk. “Settle with your God, varlet!” he screams to the darkened room and, rising quickly to his knees, flips a chalk eraser toward a student’s desk in the second row. Vic pauses a moment to listen but hears nothing. Still haven’t lost the touch, he thinks. Chuckling triumphantly, he goes to retrieve the dagger, pulling it out of his opponent’s eye, wiping it off, and returning it to its sheath. With eraser tucked under his belt, Vic strides from the room.

But wait, what is this? Vic looks down the deserted hallway. A joust? He surveys the brightly-costumed spectators in the stands on both sides of the jousting green. The morning sun shines golden on the multi-colored pennants which mark the sidelines. One hundred paces away, the Black Knight, his heavy armor blue-black in the afternoon sunshine, sits astride a restless black charger. It is a huge animal, perhaps a hand taller and a few stone heavier than his own steed. The excitement of the upcoming event along with the smell of the freshly trimmed lawn and the musk odor of his beast’s own nervousness combine to make Vic feel somewhat light-headed.

Vic can’t make out the blazon on the Black Knight’s shield at this distance. It appears to be a large black animal with red eyes on a deep blue field. A bear perhaps, or one of the large cats of the tropics, or maybe… something worse.

Vic clears the rags and bottles of cleaner from the top of the cart he had left in the hall. His squire hands him his lance and shield, makes sure he is firmly seated, and steps aside. The Black Knight’s squire does the same. Ready flags are waved. Vic looks to his left toward the royal grandstand as the fanfare begins. His eyes are drawn to the princess and, as always, he marvels at her beauty. Their eyes meet across the distance and he gives her a confident smile. When the trumpeters finish, the king pauses, then, with a great flourish, signals to begin. The field judge drops the white flag. Vic lowers his visor and runs, pushing the cart ahead of him. Jumping on, he points a mop at his adversary with the mop’s head against his right shoulder. The Black Knight gallops forward, his own lance aimed at Vic’s breastplate.

As the riders draw nearer, Vic concentrates on form as his instructor, old Gabel, had taught him to do. Shield angled to deflect the blow, body leaning forward to minimize the chance of being de-horsed. Now only a few yards away, Vic can see red eyes gleaming through the eye-slit of the Black Knight’s visor. All sound is drowned out by Vic’s ragged breathing echoing within his helm and the heavy pounding of hooves.

They meet with a bone-jarring crash which sends Vic flying as the cart spins out from under him, crashes into a wall and tips over, the contents of the lower shelf tumbling out onto the floor. Vic shakes his head to clear it and gets slowly to his feet.

Looking at the mess, Vic shakes his head again, this time in disgust. He rights the cart and starts replacing the cans and bottles. Still shaking his head, he carefully scoops together the shattered remains of one broken bottle and absently reaches toward his back pocket for a rag to soak up the spill.


A younger Vic and his father at a vacant lot near their house.

The autumn breeze ruffles the boy’s hair as his father, tall and dark, squints in the sunshine.

“This is the baseball and this is a bat. You take the bat and hit the ball with it. Like this.” Vic’s father tosses the ball up, swings gently, and hits it about twenty feet. He smiles hopefully at Vic. “Okay, now you try it.”

Vic with bat in hand and father twenty feet away.

Vic swings the broadsword, testing its balance. Not bad, he decides. Vic’s father does an exaggerated windup, and tosses the ball. Suddenly, Vic looks up and catches sight of the brightly-plumed roc winging toward him, talons spread in anticipation, eyes riveted on his throat. With one mighty swing, Vic cleaves the monster in two.

“Good!” Vic’s father calls and turns to get the ball, which flew over his head.

The roc is no more, Vic reflects; best to vanquish the evil magician before he can summon another. With sword raised, Vic lets out a fearsome battle cry and charges.


Cart intact, a whistling Vic pushes it leisurely down the hall and around the corner. The sound of the cart’s wheels on the tiled floor echoes the length of the corridor. Looking down, he stops and, smiling at his find, bends over to pick up dime. A hint of movement jerks his head up and his eyes meet those of an enormous serpent slithering out of its lair in the wall. Its scales gleam a polished ivory, and from its fangs fall drops of clear venom that pop and sizzle as they hit the floor. Treasure forgotten, Vic leaps backwards reaching for his dagger – but discovers it gone. The serpent strikes out, misses, yet succeeds in entangling Vic’s feet. He falls and struggles frantically to drag himself away as the serpent coils its way relentlessly up his body…


A younger Vic lying in his bed, his mother and father arguing in the next room.

The lamp on his night table casts a circle of light on the far wall. Some evenings, Vic occupies himself by casting hand-shadows in the light of creatures both real and mythical. He always conjures the creatures in the same order, one after another, each more terrible than the last, always stopping before the final creature with red eyes. Not quite cat, not quite bear, but something much worse — a shadow-pattern his hands know well — though they have never before made it. Most nights, like tonight, he is afraid to form the shadows for fear that the creatures won’t disappear when the light goes out.

“He is not crazy!” his mother‘s voice is the screeching of harpies, “I’m not going to let you put our son in an institution!”

“Take it easy. I didn’t say anything about an institution. There’s this psychiatrist…”

“Aaagh!”

“You didn’t see the look in his eyes when he came at me with the bat. Jesus, Gloria, the kid scares me.” Their voices fade in and out as Vic drifts off to dreams of knights and dragons and kingdoms to conquer. Tonight his dreams are uneasy — blended pictures and colors – and always just out of sight is the cat-bear-thing. Shifting in his sleep, his brow creases and he lets out a small cry.

The screeching of harpies reaches deep into his dreams and drags him awake. “You’re not going to send him away!” Vic’s mother wails as she rushes into his bedroom to protect him.

Vic looks up to see his mother swooping toward him in the dimness, her eyes red and puffy from tears, hair in disarray. The screeching of harpies echoes in his ears as the filthy beast stretches out its claws. Eyes wide with terror, Vic screams.


Vic stares impotently at the cart three feet out of his reach. The serpent is coiled around most of his body, leaving only his right arm and head free. Breathing becomes difficult as the monster squeezes tighter with every exhalation. The serpent’s head bobs before him, noxious venom dripping from its fangs. Watching the venom eat small craters in the floor, Vic wonders if the serpent itself is immune to its own venom. If only he had…

Vic turns his head and notices a rag lying against the wall. Eyes fixed on the serpent, Vic slowly stretches, closes his hand around the rag, and draws back his arm. Taking aim at the serpent’s mouth and silently praying his plan will work, he lets all the air out of his lungs. Acting quickly while the serpent hurries to tighten its coils, Vic thrusts the rag deep into the serpent’s open mouth. Vic struggles to retain consciousness as the serpent suddenly squeezes even tighter threatening to crack his ribs. Vic’s lungs scream for air and the world spins and goes dark.


A younger Vic hops down from the leather chair and looks about.

Brass and cannons. Here a brass cannon. And here. Here, here, and here brass sailing ships, their rigging finely-drawn wire. The walls are Escher prints and Rorscharkesque abstracts. A pair of nondescript seascapes signed ‘LeChrist’ frame a heavily curtained north window. What draws Vic’s attention though is the west wall. Corner to corner, carpet to ceiling, the wall is covered with a mural — a slice of forest so rich in detail that it appears real. The leaves filter golden sunlight and the widely-spaced trees rise smooth-barked and true. The overall flavor is European. He half expects to see a mounted knight appear thundering along the blanketed path. Thah-thump, thah-thump, thah…

“Very realistic, isn’t it?” Dr. LeChrist closing the office door behind him. Vic turns back to the wall. LeChist continues, “Almost feels as if you can step right into it.” Vic has that feeling so strongly that he is afraid to reach out and touch the wall for fear of breaking the spell.


After what seems like an eternity, the serpent’s coils loosen and Vic dazedly crawls free. The serpent convulses violently, shudders once, and lays still. Vic closes his eyes and painfully breathes a sigh of relief.

Vic dusts himself off and bends to collect the unrolled fire-hose to roll it back onto its reel. Removing the rag from the end of the nozzle, he mops up the drips of water that had fallen, and then goes to pick up the dime.

Bent over, Vic stiffens. He senses something behind him. Afraid of what it might be, he breaks out in a cold sweat. His heart beats faster and his breathing quickens. He turns slowly and peers down the length of the darkened hall. He catches his breath and puts his hand to his mouth to stifle a scream. There in the blackness at the far end of the hall are the pair of glowing red eyes that he had only fleetingly seen in his worst nightmares. Vic is nearly overcome with fear. Trying desperately to keep quiet, he walks slowly and deliberately back in the direction from which he had come. Unable to help himself, he turns to look again just before turning the corner. The eyes are gone.

About Time [New] (unfinished story)

Some weird start to a mystery story about time being broken, or something…

What’s weird about this is — I had this story idea when I was working with a team in Palo Alto a few years back. I recently discovered that one of my college roommates died a few years ago. It almost seems his death could have (mysteriously) inspired this??


I was sitting at the coffee shop facing the window, watching the people pass on the sidewalk as I waited for my cappuccino, when I saw my college roommate walk past. Three important points: I’ve been out of college for thirty years, my college roommate has a job and family two thousand miles away, and the person who walked past wasn’t a man my age, but rather my roommate as he was thirty years ago. And I don’t mean this person reminded me of my roommate, he was my roommate. When you know someone for years, you know how they move, how they walk – you can recognize them from behind, or from a distance, without seeing their face. This guy was him, right down to clothes that he owned in college. I was stunned. He was already past me when I recovered and knocked on the window to catch his attention. He turned toward the sound without slowing his walk. His eyes briefly met mine but continued past – and then he was out of sight.