The Race [New] (28 line poem)

I wrote the first verse decades ago, and decided recently to finish the poem — so I’m calling it ‘new’ since 85% of it is.


Entered in a two-horse race
Each on his trusted steed
(Both heroes of humanity)
Were Selflessness and Greed

The course wound through the forest
Over bridges, to the town
Some stretches narrow, others wide
Near equal up and down

The racers, neck and neck
And nose to nose until the end
The finish line in sight ahead
Around the final bend

Two close-set oaks, the finish, marked
Beyond, the cheering crowd
The riders spurred their mounts ahead
The people calling loud

The gap was narrow; one abreast
Could fit between the trees
Disaster seemed the only path
No way for two to squeeze

Selflessness held back to let
Greed through to cross the line
Greed thundered on without a pause
He thought, ‘The race is mine!’

Greed finished first, but did he win?
Each one raced as he lives
Who wins in life? Who profits?
He who takes, or he who gives?

Possession [Classic] (20 line poem)

Must be ‘Demonic Day’ or something like that. Including this poem, I’ll have posted, within the last two days, 3 pieces about demons and hell.


A name from out of nowhere
A word from ancient lore
Summoning forth memories
That were not there before

The echoes don’t diminish
But fill my empty brain
Extinguish personality
Till nothingness remains

My mind cries out in anger
And then whimpers in fear
I lose control, give up my soul
To thoughts I now can hear

The purpose is apparent
It reeks of evilness
Again I fight, again I fail
Fall victim to the stress

I perform its vile actions
Then with a piercing scream
As the Presence leaves me, wondering
Was it real or just a dream?

A Day in the Life of Brown The Clown [Classic] (49 line poem)

Finally, Brown makes an entrance. This poem grew from the challenge of two constraints: finding rhymes of vowel-n (-ane, -een, -ine, -own, etc.) and mapping verses to three-hour blocks of time to fill the day. I went as far as to illustrate this whole poem using basic shapes in MS Paint for Windows, then injecting noise to pixilate the result. Having problems finding a copy…

Hey! I found a copy! Look here. Hard to believe that was 10 years ago.


My name is Brown.
I am a clown.
I do my antics upside-down.

And every time I do a show,
I want the people all to know –
My name is Brown;
I am a clown.

I wake at dawn
To mow the lawn
And feed my brother’s favorite fawn.

I cut the grass down in a row;
Then churn it with a garden hoe.
I wake at dawn
To mow the lawn.

From nine to noon,
I sing a tune —
A silly song about the moon.

At times I’m aided by a crow
Who comes along at ten or so.
From nine to noon,
I sing a tune.

By three I’m seen
Out with the Queen,
Who keeps her scepter very clean.

She fills my head with thoughts of woe
By telling me I’m not her beau.
By three I’m seen
Out with the Queen.

Till six I deign
To fly a plane
About the edge of my domain.

I bring the plane down nice and low
Before I yell “Geronimo!”
Till six I deign
To fly a plane.

From six to nine,
It’s time to dine
On figs and capers soaked in brine.

I pay the waiter what I owe,
Then ride home on my buffalo.
From six to nine,
It’s time to dine.

Night finds me prone
And all alone
Upon my comfy bed of stone.

The dreams that through my head do flow
Are of the days that come and go.
Night finds me prone –
And all alone.


Originally, the evening block was this:
‘From six to nine, I’m feeling fine – with several empty jugs of wine.
I ask for more, and answer ‘no’ – but pour another one to go.’
I’ve changed this to make the poem more generally acceptable.

The related change is that I made the waiter look like my dad. He died a couple of years ago, so it’s both memorable and sad to see my representation of him.

2021 NOTE: I’ve been hesitant to move this poem forward (toward publishing) because of the line about Geronimo, and the fear that it is somehow demeaning and/or isn’t politically correct. Searching online now indicates that the US military shouts this when jumping from airplanes as an homage to Geronimo’s brave reputation. This makes me feel OK about using it.

2025 NOTE: My eldest printed out this story as a book — and everyone who reads it really likes it. This makes me interested in moving my children poems/stories forward.

Death of a Student [Classic] (48 line poem)

This is perhaps the most ‘Alice like’ of my longer poems that I plan to include in my Alice-like narrative that connects my longer poems. As I’ve mentioned, the characters in the poems would become characters in the connecting story, with the Student from this poem being the main protagonist in the larger story, and the Teacher from this poem being the main antagonist.

In my mind, this takes place in an old schoolhouse full of boys — before girls were part of mainstream education. To make it more modern and approachable, I probably need to have some of the students be girls — even quite likely the main protagonist — which may require some wording tweaks to the poem.

NEW NOTE: My son recently used AI to movie-ize this poem. Link here: http://tomlewczyk.me/DOS.mov.


“Three times three,” the Teacher said;
“Plus three times three,” He cried!
“Makes six times three,” a Student said;
And with those words, He died.

“Correct,” was all the Teacher said,
And looking rather glum,
He wondered how the answer could
Have come to One so dumb.

The teacher searched His memory —
“Six apples minus three,
“Plus four more apples added next,
“How many will there be?”

“Seven, Sir,” a small Voice said,
But Most stared in dismay
At First Boy slumped down in His chair
As Second passed away.

“Again correct,” the Teacher sighed;
Another question spew
As steady rage within Him built —
“What’s thirty minus two?”

Reluctant Students squirmed in shame;
All feared this certain death.
But Someone stammered “Twenty eight,”
And breathed His final breath.

By now, the Teacher’s face was red;
He spat a muffled curse;
He thought of answers and of deaths,
Not knowing which were worse.

But then the Teacher saw the truth
Though not the How nor Why —
That All who answered what He asked
Were instantly to die.

He brought forth question after next,
‘Til finally, He tired.
That left Him there with only One;
The Others had expired.

“I’m God!” He thought, “I rule the world!”
He eyed the single Child.
He leered, He sneered, He showed His teeth.
The Other only smiled.

He delved into His inner mind,
To find His very best,
To finish-off this Hanger-on,
To put Him to the test.

The Teacher shuffled, sorted, thought,
At last came up with one.
“Am I sure?” He asked Himself…
“Indeed,” and He was done.


2021 comments:

  • I’ve reverted some wording back to how it was originally written. Slight changes, but I’m prioritizing the ‘flow’ more than the exact words.
  • Reading this over now, I’m thinking that MAYBE the poem needs another stanza near the end. It might wrap up too quickly, given the relatively long and wordy progression toward the final conflict.

Badger Name of Tyler [Classic] (20 line poem)

Even my silly poems have gruesome endings.


Came a badger name of Tyler
be a-knockin’ at the door.
Sellin’ brushes from the marshes
he be scrubbin’ on the floor.

Dumps a bushel full of garbage
to be showin’ how they work.
Bendin’ over pail of water
he be scrubbin’ until dark.

He be done in half a minute
he be sayin’ as he goes.
I can tell he be a-lyin’
by the growin’ of his nose.

Comes the Missus from the kitchen
seein’ badger, brush, and pail,
Garbage soakin’ into carpet
she can’t help but start to wail.

Grabs the shotgun from the closet,
shoots the badger in the head.
Takes the body to the kitchen…
Badger soup and homemade bread.

Lycanthropy [Classic plus] (32 line poem)

Here’s another of my fully-baked longer poems that I’ve refined over the years. A bit dark, but it has a good structure.


I get these sudden urges.
(urges, urges, urges, urges)
To go howling at the moon.
(at the moon, at the moon)
This tendency emerges.
(merges, merges, merges, merges)
Feel it comin’ very soon.
(very soon, very soon)

My body structure changes.
(changes, changes, changes, changes)
Bushy hair sprouts from my face.
(from my face, from my face)
My whole being rearranges.
(ranges, ranges, ranges, ranges)
My teeth, deadly fangs replace
(fangs replace, fangs replace)

I gobble up small children.
(children, children, children, children)
Leave adults a bloody mess.
(bloody mess, bloody mess)
My habits are bewild’rin’.
(wildrin, wildrin, wildrin, wildrin)
My actions they can’t guess.
(they can’t guess, they can’t guess)

I live as one of you do.
(you do, you do, you do, you do)
‘Til the full moon starts to rise.
(starts to rise, starts to rise)
Then I venture forth to get you.
(hunt you, find you, rend you, kill you)
I may take you by surprise.
(by surprise, by surprise)

The Preacher’s Chair [Classic plus] (32 line poem)

Time to break out one of my full-blown, longer poems. I’ve labeled it ‘classic plus’ because, though I originally wrote it years ago, I’ve ‘stayed in touch’ with it over the years, occasionally rewriting/refining the wording to improve it. My goal has been to take a dozen or so of my complete, longer poems and connect them with a coherent narrative — with the result being something structured like Alice’s Adventures in Wonderland or Through the Looking Glass. I suspect that Lewis Carroll may have followed a similar path — taking a set of poems he had written, extracting the characters, and creating a story around them which allowed the poems themselves to be included.

As the Joker said, “and…here…we…go”


The Preacher comes to visit us
A dozen times a week.
He comes so bless-ed often,
And Lordy does he speak!
At night or noon or morning
You’ll likely find him there;
Screaming out his warning
Astride the Preacher’s Chair.

The Preacher’s Chair is empty
When the Preacher ain’t around.
Grandpa used to sit there
‘Fore the Preacher came to town.
But the Preacher’s got the recipe
For emptying that seat –
Don’t tell the Preacher ‘bout your sins,
He knows when to repeat!

The Preacher talks to Jimmy –
How he lectures to that lad!
Tells him that he’ll go to Blazes
‘Cause he’s been so bad.
But Mama thinks that Jimmy,
He’s been good beyond compare.
And someday when the Preacher’s gone
He’ll fill the Preacher’s Chair.

The Preacher’s Chair is gone now,
But it’ll soon be back.
The Preacher still comes all the time,
And Lordy does he yack!
Now when the Preacher needs to sit,
He can do it anywhere.
‘Cause Jimmy spread a pot of glue
Upon the Preacher’s Chair!

The Further Adventures of Tweedledum and Tweedledee [Classic/New] (42 line poem)

Tweedledum and Tweedledee are characters from Lewis Carroll’s Alice books. Note that Damascus is not a seaport, which only adds to the lunacy.

Old poem, recently finished.

What got the writing of this poem going was the subtle alliterative wordplay in the first few lines.


“Not the mad, nor the damned,
“Nor the damned mad
“Will carry M’dam to Damascus.
“As for us,” said we,
“For a minimal fee,
“We’ll ferry you there if you ask us.”

She looked on with doubt
As our ears flapped about
And our smiles slowly broadened to grins
“I do need the ride,”
She saw fit to confide,
“But I hear there is danger in twins.”

“Do not fear, do not fret.
“You won’t even get wet.
“As our boat is surprisingly sound.
“It was made from a pail
“With swiss cheese for a sail.
“Only half of our crewmen have drowned.”

We set off at noon
By the light of the moon
Hoping to get there by dawn
We were in a hurry
Which caused her some worry
But we lessened her stress with a yawn

Halfway to our goal
We encountered a hole
On the top of the head of a whale
It was pulling us in
Be we saved with a spin
And continued our path without fail

The ocean was rough
Which made sailing quite tough
Though the boat mostly progressed as planned
It took us a while
But we maintained a smile
And eventually made it to land

She paid us our fare
As she flipped back her hair
And we carried her luggage ashore
We waved her goodbye
With a wink in our eye
And moved on to collect even more