Seance [Classic] (650 word story)

The windowless room was lit only by a dim, flickering radiance from the crystal ball in the center of the table. Probably a candle underneath, though Willie Forbes. Then, as he leaned a little closer and examined it through squinted eye, yep, it’s a candle alright, he decided. He looked about quickly to make sure that no one had seen him misbehave. All eyes were closed, all ears seemed to be straining to follow Madame Rowella’s monotone chant. Willie fought back a yawn. He had only come here to humor his old mother who had gotten it into her head a few days ago that she must contact his father’s spirit.

So Willie had picked a name out of the phonebook and arranged a seance for an outrageous sum of money. He hoped that his mother wouldn’t make a habit of this nonsense. The Rowella woman was as ugly as a dog, too. She looked like a witch, he thought, which is probably why she can charge all that money — she looks convincing, right down to the wart on her nose.

Willie couldn’t figure out why his mother would want to get in touch with his father anyway. They had never gotten along — his father hadn’t gotten along with anyone. He used to call Willie’s mother ‘Poopsie’. What a laugh! That old crow look more like Poopsie the Poodle than anything else.

Willie hadn’t gotten along with his father either. In fact, it was Willie who had arranged that little hunting ‘accident’ that had killed his father last fall. Last year at this time they had had a great big funeral. What a waste! They shoulda just dumped that bum in some hole in the backyard. There were a lot of tears, but it was the best thing that had ever happened to his mother and him. That drunk was just wasting away whatever money his mother had managed to save.

At that time, Willie had still considered his mom attractive and had hoped that she’d get remarried to some rich old geezer, but she kinda just withered away to the senile old woman she was today. It was all his father’s fault. Hate built up inside of him just like it had in the days before he had killed his father. Looking at his mother now and thinking about the way her mind had gone, Willie would have wrung that old goat’s neck if he were here today.

Along with the hate came a touch of fear. What if there were something to this seance bit? What if his father’s spirit did come back and told his mother the truth? Naw, all that was for the movies. None of that stuff happens in real life. Besides, his mother would be too senile to understand anyway.

Madame Rowella’s chant had increased in intensity. She said with a chill in her voice: “He is with us now.”

There did seem to be something fluttering about the room, dimming the ghost-light from the crystal ball. Clever, Willie thought, trying to cover his fear. Then suddenly, something gripped his throat.

Mrs. Forbes heard a choking sound from her son. “What’s wrong, Willie?” she asked with concern in her voice.

A pause.

“Nothing, Mom.” Willie’s voice said in the darkness.

“Shhh.” warned Madame Rowella, but the rest of the evening went without incident.


“I’m sorry, Mrs. Forbes. I thought I had contact there for a moment, but then — nothing.”

“It’s quite alright, Madame Rowella. I’m sure you did your best. I had felt the need to summon my husband, but now that need has passed.”

“I won’t feel right unless you allow me to refund your money. I…”

“No, I wouldn’t think of it. Now I really must be going.”

Willie got her coat. “Yes, come along, Poopsie.” and, arm in arm, they walked to the car.

A Day in the Life of Brown The Clown [Classic] (49 line poem)

Finally, Brown makes an entrance. This poem grew from the challenge of two constraints: finding rhymes of vowel-n (-ane, -een, -ine, -own, etc.) and mapping verses to three-hour blocks of time to fill the day. I went as far as to illustrate this whole poem using basic shapes in MS Paint for Windows, then injecting noise to pixilate the result. Having problems finding a copy…

Hey! I found a copy! Look here. Hard to believe that was 10 years ago.


My name is Brown.
I am a clown.
I do my antics upside-down.

And every time I do a show,
I want the people all to know –
My name is Brown;
I am a clown.

I wake at dawn
To mow the lawn
And feed my brother’s favorite fawn.

I cut the grass down in a row;
Then churn it with a garden hoe.
I wake at dawn
To mow the lawn.

From nine to noon,
I sing a tune —
A silly song about the moon.

At times I’m aided by a crow
Who comes along at ten or so.
From nine to noon,
I sing a tune.

By three I’m seen
Out with the Queen,
Who keeps her scepter very clean.

She fills my head with thoughts of woe
By telling me I’m not her beau.
By three I’m seen
Out with the Queen.

Till six I deign
To fly a plane
About the edge of my domain.

I bring the plane down nice and low
Before I yell “Geronimo!”
Till six I deign
To fly a plane.

From six to nine,
It’s time to dine
On figs and capers soaked in brine.

I pay the waiter what I owe,
Then ride home on my buffalo.
From six to nine,
It’s time to dine.

Night finds me prone
And all alone
Upon my comfy bed of stone.

The dreams that through my head do flow
Are of the days that come and go.
Night finds me prone –
And all alone.


Originally, the evening block was this:
‘From six to nine, I’m feeling fine – with several empty jugs of wine.
I ask for more, and answer ‘no’ – but pour another one to go.’
I’ve changed this to make the poem more generally acceptable.

The related change is that I made the waiter look like my dad. He died a couple of years ago, so it’s both memorable and sad to see my representation of him.

2021 NOTE: I’ve been hesitant to move this poem forward (toward publishing) because of the line about Geronimo, and the fear that it is somehow demeaning and/or isn’t politically correct. Searching online now indicates that the US military shouts this when jumping from airplanes as an homage to Geronimo’s brave reputation. This makes me feel OK about using it.

2025 NOTE: My eldest printed out this story as a book — and everyone who reads it really likes it. This makes me interested in moving my children poems/stories forward.

The Krebly [Classic] (230 word story)

Second silly story alert, this one perhaps written when I was a little older. More old stories here.


One day, the Krebly decided to leave its home in a dark cave near the marshes and venture out into the world. It packed up all of its belongings and put them in its pockets (it had very few belongings and very large pockets) and set off on the road to adventure. The Krebly had only been walking a very short time when it chanced upon a beaver constructing a dam.

“Whatever are you doing?” asked the Krebly, eyes looking every which way (it had many, many eyes).

“Building a dam.” replied the beaver without looking up from its work.

“Whyever are you doing that?” inquired the Kreby with genuine interest.

“I–I don’t know,” the beaver said hesitantly. The beaver appeared thoughtful for a moment, shrugged its shoulders, smiled apologetically and said, “Well then, I guess I’ll be going.” and go it did, leaving the dam half finished and the Krebly looking confused.

The Krebly decided to return home and, along the way, found the beaver lying dead — its face very blue and its tiny hands clutching its chest.

“Well, well,” said the Krebly because it couldn’t think of anything better to say, but felt that something should be said. It then returned to its cave and, to this day, has not left again.

MORAL: Stay away from Kreblies. They are carriers of many lethal communicable diseases.

Paranoia [Classic] (400 word story)

I’ve stumbled across a couple of very silly stories from when I was young.


“…and then when I look around, I don’t see anyone looking at me! Doc, I can’t take this anymore.” Beads of sweat glistened on Walter Dott’s forehead as he spilled forth his recently-unbearable troubles. “It’s just like that paranoia that you read about. I can’t shake the feeling that I’m being followed and watched. It’s driving me mad.”

“Calm down Mr. Dott. Your problem is shared by thousands of other people across the country. There is some controversy though as to how it should be treated. Each psychiatrist has his own notions, but I believe that you will find my methods most painless and helpful. Through hypnotic suggestion, you will believe that you’ve confronted your pursuer and found him harmless and eventually nonexistent. Now here we go — you are relaxed, your limbs are growing heavy, your eyes are closing, closing,…”


Doctor Bergen wasn’t a doctor. In fact, he wasn’t even human, but a dying man’s delusion — as were all of Walter Dott’s surroundings. For in reality, he was on far planet, in a meat freezer, his mind slowly dwindling away into nothingness as his naked body was gradually being frozen to flavor perfection.

The Dott family had lived on a secluded island in the South Pacific and, one by one, they had been snatched by carnivorous Antarians and whisked away to their distant world to serve as exotic food for the ruler of the planet.

During this freezing process, the victim senses external stimuli in a limited way and weaves these into the inevitable hallucinations that a dying brain will conjure up.

The royal Antarian cooks had been having some difficulty in having the meat ready at the proper time. Either the flesh did not keep, eventually rotting away and making a horrible smell, or the meat was too frozen, or too tough from weeks of frightened struggles in efforts to avoid the cooking pot. Finally, the cooks had thought of this slow freezing process with the human still alive. This seemed to work — though there was a greater chance of a premature turning of the meat at unexpected death than there was of overfreezing. But experience had taught the cooks that constant surveillance was necessary during the entire process. There was reason behind Walter’s madness. The cooks had discovered that:

A watched Dott never spoils.

Splice of the Manic-Depressive [Classic] (20 line poem)

Mania
I love the world
The sky so blue above my head
The colors of the splendrous dawn
To live is fun
I’m happy as a man can be

Depression
The world is dead
My life’s a mess, I can’t go on
I want to die
I think I’ll go and get a gun
To take my life away from me

Splice of the Manic-Depressive
I love the world
The world is dead
The sky so blue above my head

My life’s a mess, I can’t go on
The colors of the splendrous dawn

I want to die
To live is fun
I think I’ll go and get a gun

I’m happy as a man can be
To take my life away from me

Influences

I wouldn’t say that I have ‘influences’ — people with work that has shaped my own. I’d like to think I’m fairly original. However, I do have authors and poets that I admire, whose work I wouldn’t mind having written.

Some of them are: Lewis Carroll [Dodgson] (whom I’ve mentioned here multiple times), Edward Lear (whom you might know from The Owl and The Pussycat), and Dr Seuss [Geisel]. No surprises for these, since they are all in a similar direction. I especially admire Dr Seuss’s commercial success. Another author that I admire is Stephen King (who doesn’t?) because he writes ‘dark’ fiction like some of mine. I don’t know Stephen King, but I wonder what he’s like in real life. Is he normal but just writes insane, or is he unsettling to hang out with?

A more-contemporary poet that I feel a kinship with, although I’ll admit I’m pretty unfamiliar with his work, is Shel Silverstein. (I just now googled him and found that he’s been dead for 15 years.) He wrote some kooky poems that would feel at home among some of my stuff. I don’t know whether he wrote books or just poetry. Also, some of his work has distinct artwork — maybe he was also an artist? (Seems I should find out more about him.) What little I’ve read of his work seems nice and even inspirational. I chuckle inwardly because I think of myself as a ‘dark’ Shel Silverstein (in writing tone), but he had dark skin, so the wording of this view of myself makes me laugh. He looks a lot like a guy I currently work with who’s from Guadeloupe in the Caribbean.


ADDENDUM: Going through some of my old old stories, written as a teen, I’ve realized that Fredric Brown also figures into the mix. Some of my early stories are short, techy, and ‘clever’ like some of his.

No Longer Are You Mine [Classic] (12 line poem)

This is an odd poem in that the second verse has a different pattern from the first verse — each corresponding line is twice as long.

You can tell I wrote this in another part of the country, since my chosen tree is ‘maple’ rather than, say, ‘redwood’.


If snakes had wings
If dogs could sing
Should laughter ring the hallowed halls
If boulders sail
And maples wail
Only then would my love pall

They say there’re dragons. Without a choice
The moon can make the hound give voice
And mirth is not a stranger to the holiest of shrines
Volcanoes spew forth rock and stone
A strong wind makes the forest moan
Another one has won my heart, no longer are you mine

The Magician [Classic] (unfinished poem)

Though unfinished, this poem tells a story of a boy coming of age. I’ve yet to decide whether he ends up accepting the role of royal heir, or whether his father ends up accepting that the boy has another path. It would be interesting if the boy grows up to be the titled magician who, late in life, goes back in time to help shape his own destiny…

Some of the phrasing is a little awkward. Unlike some of my other poems, I haven’t worked with it over the years to polish the wording — probably because the poem is unfinished. 

I don’t plan for this poem to be part of my big Alice-like narrative. 


Gossip spread throughout the land
By word of mouth the news had come
His services became demand
And as a fire loyally fanned
His fame had managed to expand
Encompassing the vast kingdom

He moved about the outlying farms
A few days here, a couple there
By potions, spells, and magic charms
He did his best for future harms
(He cured a couple gammied arms
And aided with a foaling mare)

When rumor finally reached the king
His advisor told him what to do
“Attempt to make an offering
The proper bit of persuading
And he might cure your mad bantling
Who, of your heir, he is in lieu”

The king knew this be wise indeed
His bastard son was all he had
And should there e’er arise the need
If no more heirs sprang from his seed
He would publicly announce the deed
If he had agreement from the lad

The trouble with the boy was that
He did not want to be a prince
Upon the finer things he spat
At royal balls, he was a brat
He did not relish growing fat
And at etiquette he’d wince

He had in mind to be a knight
To travel to a distant shore
Or even wield a mages light
Or practice with his magic sight
Or learning how to read and write
As over books he’d pore

Death of a Student [Classic] (48 line poem)

This is perhaps the most ‘Alice like’ of my longer poems that I plan to include in my Alice-like narrative that connects my longer poems. As I’ve mentioned, the characters in the poems would become characters in the connecting story, with the Student from this poem being the main protagonist in the larger story, and the Teacher from this poem being the main antagonist.

In my mind, this takes place in an old schoolhouse full of boys — before girls were part of mainstream education. To make it more modern and approachable, I probably need to have some of the students be girls — even quite likely the main protagonist — which may require some wording tweaks to the poem.

NEW NOTE: My son recently used AI to movie-ize this poem. Link here: http://tomlewczyk.me/DOS.mov.


“Three times three,” the Teacher said;
“Plus three times three,” He cried!
“Makes six times three,” a Student said;
And with those words, He died.

“Correct,” was all the Teacher said,
And looking rather glum,
He wondered how the answer could
Have come to One so dumb.

The teacher searched His memory —
“Six apples minus three,
“Plus four more apples added next,
“How many will there be?”

“Seven, Sir,” a small Voice said,
But Most stared in dismay
At First Boy slumped down in His chair
As Second passed away.

“Again correct,” the Teacher sighed;
Another question spew
As steady rage within Him built —
“What’s thirty minus two?”

Reluctant Students squirmed in shame;
All feared this certain death.
But Someone stammered “Twenty eight,”
And breathed His final breath.

By now, the Teacher’s face was red;
He spat a muffled curse;
He thought of answers and of deaths,
Not knowing which were worse.

But then the Teacher saw the truth
Though not the How nor Why —
That All who answered what He asked
Were instantly to die.

He brought forth question after next,
‘Til finally, He tired.
That left Him there with only One;
The Others had expired.

“I’m God!” He thought, “I rule the world!”
He eyed the single Child.
He leered, He sneered, He showed His teeth.
The Other only smiled.

He delved into His inner mind,
To find His very best,
To finish-off this Hanger-on,
To put Him to the test.

The Teacher shuffled, sorted, thought,
At last came up with one.
“Am I sure?” He asked Himself…
“Indeed,” and He was done.


2021 comments:

  • I’ve reverted some wording back to how it was originally written. Slight changes, but I’m prioritizing the ‘flow’ more than the exact words.
  • Reading this over now, I’m thinking that MAYBE the poem needs another stanza near the end. It might wrap up too quickly, given the relatively long and wordy progression toward the final conflict.