Deep [Classic] (unfinished poem)

I remember writing this. My intention was to present nonsense phrases in a serious manner so that it sounded like some deep poem. It’s easy to write verse after verse when there’s no underlying meaning (relax, I didn’t write verse after verse). I like the rhyming scheme and may someday steal it for something else.

I’ve realized that this poem (8-8-10-8-8-10), intentionally or not, has a similar structure to Billy Joel’s You May be Right (8-8-11-7-7-11) — which has been playing in my head all morning. What kicked off the mental music was me ending a line with ‘alone’ which matches how a line ends in Billy Joel’s song.


The wind the weeping willow bent
Softly, ever reverent
To lie between the earth and endless sky
Alas, the truth be never known
To wander wondering, alone
Skin deep! the cry is raised as by the by

The struggle mightily is lost
A leaf, a storm, a ship is tossed
The crow is spared the scorpion’s last sting
As one we never more shall be
Naked for eternity
The jester hastens lest he best the king

Tremulous, with head held high
The soldier bids his kids goodbye
And barren fields may one year put forth grain
Alive but living in a dream
The silence shredded by a scream
A yearling elk seeks shelter from the rain

Inheritance [Classic] (625 word story)

See? I can write a nice story where no one dies.


The young man stepped out of his car and into the slanting afternoon sunshine. His feet hardly seemed to touch ground as he crossed the small parking lot and bounded up the three flights of stairs.

Apartment 3-G. He rang the bell and poked his head through the unlocked door. Blouseless, she ran to greet him with hairbrush in hand. “Anyone home?” he smiled as she stretched to kiss him.

They parted, breathless. “Oh, this is for you.” He held out a slightly-crushed white corsage. “Now hurry up or we’ll be late.” He slapped her buttock through her black skirt as she turned to go. She giggled as she scurried back to the bathroom.

Ten minutes later. “How do I look?” He put down his magazine and looked at her framed in the the light from the hall. She had put on a blue silk blouse and had pinned back her long, dark hair. “Beautiful,” he said as he arose to kiss her.

“We’d better be going,” she said at last. He held the door for her as the stepped out into the warm summer air. Arms around each other, they walked to the car.


He slowed the car into his parents driveway. “We’re here.” She drew away and he hurried around the car to open the door for her.

As they neared the house, they could hear the sound of a woman’s raised voice through the storm door.

“…and those Rosalettis.” the voice was saying, “if only they had let things be. We could be rich, I tell you, rich…”

He whispered in her ear, “The Rozalettis are sone relatives out East that stole an inheritance, some ‘treasure’, intended for us, or so I’m told. Ma’s pretty big on the subject.” She returned his smile as they entered the house.

“…robbers! Theives!, I…” the voice belonged to a short, stout woman in her early forties who turned a surprised face toward them. “Mimmo! Antonio, my baby!” She threw herself about his waist nearly toppling him.

“Mamma, I’d like you to meet…”

“And you must be Clara. Antonio has told us so much about you.”

“Glad to meed you, Mrs. Marioni,” the girl responded.

“You’re early, Tony,” Mr. Marioni said from the doorway. The two men embraced. “Hello, Pappa.

“Pappa, this is Clara.” Mr. Mariani took the girl’s hand. He looked into her eyes. “Don’t let this one go, Antonio. They don’t come any prettier.”

Clara blushed. “Now I know where Tony gets his charm, Mr. Marioni.”

“Tony? Charm?” He slapped his son on the back and laughing, steered them both toward the living room.

They had only been talking a few minutes when Mrs. Marioni arose, “I had better see about dinner.”

“I’ll help.” The two women disappeared into the kitchen, their voices audible through the doorway.

Mr. Marioni turned to his son. “A very nice girl, Tony.”


“Eat, Tony, or it will get cold.” But Tony and Clara had eyes for little else than each other. Mr. and Mrs. Marioni exchanged a smile, remembering the days of their youth.


“Is it that late already?” Tony stood up. “We had better be going.” They had been talking in the living room for nearly an hour after Clara had helped Mrs. Marioni clear the table.

Mr. and Mrs. Marioni saw the younger couple to the door. With an abundance of hugs, they said goodnight. Tony put his arm around Clara to protect her from the chill of the evening as they walked to the car.

Mrs. Marioni watched them go and saw how her baby’s heart had been stolen.

“Such a nice girl,” Mr. Marioni was saying, “She must be some relation.”

“Probably a Rozaletti,” Mrs. Marioni said as she burst into tears.

Categories

Everything posted in this writing blog falls into categories:

  • It’s either ‘New’ (written the day of posting) or ‘Classic’ (written decades ago — pre: wife/marriage/kids). Sometimes (rarely) things fall in between, like if I wrote it a year ago, or if it were written long ago but updated significantly since.
  • From a content perspective, things are either Poems, Fiction (stories), or Asides (random thoughts).

You can filter posts by category — to, for example, look only at poetry.

No Trace [New] (8 line poem)

It was a hot, uncomfortable dog walk this morning. The poem that I dictated into my phone, which initially started with “Morning possibilities float on the breeze through the open window” turned into this…


The day’s promises lie pregnant under the front porch
Some mewling forth into life
Others stillborn, only to be discarded
Or devoured

Some days stay barren
Yielding no fruit
Casting no shadows
Leaving no trace

Bay View [Classic] (6 line poem)

Look! I wrote a poem about jumping off the Golden Gate bridge long before I knew I would end up in the SF bay area.


The man paused for a moment
to test prevailing wind.
He glanced around behind him
he didn’t have a friend.
He watched the bay come toward him
as his life came to an end.

Backwards [Classic] (20 line poem)

Decades ago, folk singer Steve Goodman released the song Talk Backwards (link) describing a fictitious trend where people were switching to speaking words and sentences backwards. The concept inspired this poem (which I wrote in the 1980’s when Reagan was president) which describes one man’s struggles adjusting to this new speaking convention. The poem is naughty (concepts, language), and not politically correct. Apologies in advance to the thin-skinned. 🙁 


Since the country switched to Backwards
I think I’ve had enough
My lady tailor slapped me
When I asked her for a cuff

I set a bad example
Saying mad dog like I did
My secretary left me
When I bragged about my kid

Reagan got me beaten
By this black guy I had met
I said I loved his rhythm
And he answered with a threat

When I said egg, these fairy-fellers
Chased me from the bus
I hollered back: Their fathers
Must have taught them how to cuss

But two things keep me going
As I struggle with this shit
A boob is still a boob
And a tit is still a tit


At the time, I had seriously considered sending this into Playboy magazine — and equivalent competitors — for potential publication. They definitely publish crap like this in their magazine — not that anyone reads the words. 😉

Constrained

I find that it is easier to produce creatively if the process is constrained. If I look at a blank piece of paper, or computer screen, I’m often paralyzed by the infinite possibilities. But if I limit what I must do — the poem must have this rhyming scheme, the story must use these words — then I’ll get results faster. I often use random words to kick things off — it used to be opening the dictionary and pointing, now it’s helpful web equivalents of that.

I remember a story I wrote where I required myself to incorporate termites, and had the Phoenicians bringing them back from the New World in their boat — but of course, as my stories often do, it ended tragically when the boat broke apart close to shore (from termite damage), and none reached land alive. My poem Brown the Clown (here) is a good example of a constrained rhyming scheme — and it’s one of my favorite poems.